Dong Kaixuan
Dong Kaixuan
Institution: College of Foreign languages, Ocean University of China, Qingdao, China
Email: axjlxy359@163.com
This paper conducts a comprehensive review and comparative analysis of the research on register published in Chinese and international authoritative journals from 2010 to 2021 by employing CiteSpace 5.8.R3, a visual bibliometric software. It describes the number of publications, the keywords with th...
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This paper conducts a comprehensive review and comparative analysis of the research on register published in Chinese and international authoritative journals from 2010 to 2021 by employing CiteSpace 5.8.R3, a visual bibliometric software. It describes the number of publications, the keywords with the strongest citation bursts, research institutions, journals and influential authors, and pinpoints the principal frontiers of register. The results indicate that the number of publications of Chinese register research has shown a significant downward trend on the whole, while international register research has shown a significant upward trend on the whole. The journal of high-cited papers on register studies in China has a low impact factor, while international hot papers on register studies have a high impact factor. Chinese scholars focus on the different research perspectives of the register (systemic functional linguistics, multidimensional analysis and corpus), while international research pays attention to register variation, especially English variation and Spanish variation, and register in academic writing. Influential scholars leading the trend of register research include Biber and Rooy. The findings of this study would provide some academic and pedagogical implications on the register for Chinese scholars.
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1 year ago
Germán Jiménez Montes
Germán Jiménez Montes
Institution: University of Seville
Email: gjimenez3@us.es
This article studies how northern European migrants adapted their collective strategies to Seville’s institutional framework in the last third of the sixteenth century and how these strategies shaped the emergence of the so-called Flemish and German nation. It analyzes the group’s motivations to...
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This article studies how northern European migrants adapted their collective strategies to Seville’s institutional framework in the last third of the sixteenth century and how these strategies shaped the emergence of the so-called Flemish and German nation. It analyzes the group’s motivations to refuse the creation of a particularized commercial institution, as well as the alternative institutional mechanisms they developed to organize themselves in southern Spain. The article sheds light on the role of open-access institutions in Spain to facilitate long-distance trade and gives a new insight into the evolution of the commercial connections between the Spanish monarchy and the Dutch Republic during the Eighty Years’ War.
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1 year ago
Paul Joseph Lennon
Paul Joseph Lennon
Institution: Department of Spanish, University of St Andrews,
Email: pjl7@st-andrews.ac.uk
The sonnet ‘Pues cabe tanto en vos del bien del cielo’ by SpanishNeapolitan poet Francisco de Aldana (1537-78) challenges interpretation through its genre-defying mix of consolatory, philosophic, and amatory elements; in particular, its inclusion of an enigmatic statement by a ventriloquized f...
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The sonnet ‘Pues cabe tanto en vos del bien del cielo’ by SpanishNeapolitan poet Francisco de Aldana (1537-78) challenges interpretation through its genre-defying mix of consolatory, philosophic, and amatory elements; in particular, its inclusion of an enigmatic statement by a ventriloquized female figure alien to contemporary Hispanic courtly poetry. In this study, I offer an interpretation through a comparative study with the Rime amorose (1538) of Vittoria Colonna (1490-1547), in which she popularized the Petrarchan voice of the desiring widow in Italian poetry. After establishing a link between the Aldana and Colonna families by
virtue of the fragment ‘Aunque a la alta región del alegría’, which addresses the death of Colonna’s niece, I explain how the yearning
contained within Colonna’s lyric, noted to possess an erotic potential, may have led Aldana to incorporate this voice in his own poetic exploration of a combinatory spiritual and physical philosophy of love. Additionally, given the absence of the Colonnaesque tradition in Spain, I consider how expressions of desire by female voices in the arte menor and pastoral traditions potentially could have led to a similar interpretation for Hispanic readers.
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1 year ago
"The Garden of Earthly Prosperity in Ground Zero" is a work of art by Isur Suroso. The painting reflects the story of the Sinom song in the text Babad Diponegoro. This fine art tells the story of Prince Diponegoro when he was raised by his great-grandmother in Tegalrejo Village, Yogyakarta. Tegalrej...
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"The Garden of Earthly Prosperity in Ground Zero" is a work of art by Isur Suroso. The painting reflects the story of the Sinom song in the text Babad Diponegoro. This fine art tells the story of Prince Diponegoro when he was raised by his great-grandmother in Tegalrejo Village, Yogyakarta. Tegalrejo Village has a simple community pattern. The beautiful natural environments in Tegalrejo Village are silent witnesses to Prince Diponegoro's life. This research aims to describe the concept of visual deconstruction with the COVID-19 pandemic situation. This research uses the deconstruction theory of Jacques Derrida. There are forms of
deconstruction meaning through the pandemic situation in this painting. The fine art of "The Garden of Earthly Prosperity in Ground Zero" is divided into three parts. These parts in this fine art can reflect normal life conditions before the coronavirus pandemic appeared and reflect life after the coronavirus pandemic hit the world. The middle part of "The Garden of Earthly Prosperity in Ground Zero" interprets normal conditions. Meanwhile, two other parts describe a pandemic situation
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1 year ago
In a recent paper, James Edwin Mahon (2019) argues that literary artworks—novels in particular—never lie because they do not assert. In this discussion note, I reject Mahon’s conclusion that novels never lie. I argue that a central premiss in his argument—that novels do not contain assertion...
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In a recent paper, James Edwin Mahon (2019) argues that literary artworks—novels in particular—never lie because they do not assert. In this discussion note, I reject Mahon’s conclusion that novels never lie. I argue that a central premiss in his argument—that novels do not contain assertions—is false. Mahon’s account underdetermines the content of literary works; novels have rich
layers of content and can contain what I call ‘profound’ assertions, and ‘background’ assertions. I submit that Mahon therefore fails to establish that novels never lie.
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1 year ago
Jerome McGann
Jerome McGann
Institution: University of Virginia
Email: info@res00.com
The first public radio station in the United States, KPFA in Berkeley, California, began broadcasting in April 1949. A legendary counter-cultural enterprise, its initial program months aired a daily fifteen-minute performance of one of the most consequential literary works of late Modernist world l...
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The first public radio station in the United States, KPFA in Berkeley, California, began broadcasting in April 1949. A legendary counter-cultural enterprise, its initial program months aired a daily fifteen-minute performance of one of the most consequential literary works of late Modernist world literature, Jaime de Angulo’s ethnopoetic masterpiece Old Time Stories (announced as “Indian
Tales”). The musicologist, composer, and writer Peter Garland has justly called it a “story-epic . . . unique in American literature.”1
It is unique not because of its epic extent and ambition. It is unique because of its oral performance, which
in its currently authorized but incomplete state runs for some twenty-two hours
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1 year ago