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Humanities and Arts

CAMERA, CANVAS, AND QIBLA: LATE OTTOMAN MOBILITIES AND THE FATIH MOSQUE PAINTING

As with many cultures around the globe, in the nineteenth century the Ottoman empire witnessed a fluidity of media, styles, objects, technologies, and themes in visual culture. Sultans’ portraits migrated across canvases, ivory, manuscripts, photographs, prints, and porcelain; curtain motifs featured in tents, wall paintings, and architectural decorations; new and “neo” architectural styles ...
Posted 2 years ago

Humanities and Arts

On Black Affective Forms: A Conversation with Garrett Bradley

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Posted 2 years ago

Humanities and Arts

Novel Assertions: A Reply to Mahon

In a recent paper, James Edwin Mahon (2019) argues that literary artworks—novels in particular—never lie because they do not assert. In this discussion note, I reject Mahon’s conclusion that novels never lie. I argue that a central premiss in his argument—that novels do not contain assertions—is false. Mahon’s account underdetermines the content of literary works; novels have rich la...
Posted 2 years ago

Humanities and Arts

Feeling Fit for Function: Haptic Touch and Aesthetic Experience

Traditionally, the sense of touch—alongside the senses of taste and smell—has been excluded from the aesthetic domain. These proximal modalities are thought to deliver only sensory pleasures, not the complex, world-directed perceptual states that characterize aesthetic experience. In this paper, I argue that this tradition fails to recognize the perceptual possibilities of haptic touch, which ...
Posted 2 years ago

Humanities and Arts

Dreaming A Public Poem

The Public Poem is a form I invented in 1967 and have performed in many European cities over the decades. For the last six years in Spain, I had been making “concrete” poems, seeing the sheet of paper as a two-dimensional surface which the typewriter could occupy spatially, then placing Letraset letters on superimposed plexiglass sheets that provide a third dimension of depth. One day, looking...
Posted 2 years ago

Humanities and Arts

Unconditional hospitality: art and commons under planetary migration

In both European and non-European cities, public spaces are formed by racist and segregative politics that influence everyday life. Planetary migration flows and recently implemented border politics tend to leave the most vulnerable in precarious conditions, not only in the case of migrants/refugees but also in the case of citizens. This article focuses on how artistic methodologies in the contex...
Posted 2 years ago

Humanities and Arts

Breakthrough into Performance

The first public radio station in the United States, KPFA in Berkeley, California, began broadcasting in April 1949. A legendary counter-cultural enterprise, its initial program months aired a daily fifteen-minute performance of one of the most consequential literary works of late Modernist world literature, Jaime de Angulo’s ethnopoetic masterpiece Old Time Stories (announced as “Indian Ta...
Posted 2 years ago

Humanities and Arts

Angels with Guns: A Memoir on Guy Brett (and David Medalla)

In the mind of anyone who knew them and their work, the British art critic and curator Guy Brett and the Filipino mixed-media and performance artist David Medalla formed a pair. Which is why, though it might sound awful, I was not overly surprised by the news that Guy had died (February 2, 2021) just over a month after David (December 28, 2020). It was as if the former had waited for permission to...
Posted 2 years ago

Physics Maths Engineering

From Quark to Infinite Dimensionality

This article gives a overall picture of how the universe works from the likelihood that our universe is infinite dimensional at the nanometer scale of an indestructible quark. The article explains that we only can perceive for sure up to 4 dimensions of physical reality. However, the speculation in this article seems very clear that likely we are seeing activity in the 5th dimension in particle ph...
Posted 2 years ago

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