RNfinity
Research Infinity Logo, Orange eye of horus, white eye of Ra
  • Home
  • Submit
    Research Articles
    Ebooks
  • Articles
    Academic
    Ebooks
  • Info
    Home
    Subject
    Submit
    About
    News
    Submission Guide
    Contact Us
    Personality Tests
  • Login/sign up
    Login
    Register

Humanities and Arts

More than a Feeling Why the Lewis and Clark Expedition Did not Experience “the Sublime” at the Great Divide when Crossing the American Continent

rnfinity

info@rnfinity.com

Heinz Tschachler

Heinz Tschachler

English and American Studies at the Heinz Tschachler University of Klagenfurt

heinz.tschachler@aau.at


copyright icon

© attribution CC-BY

  • 0

rating
2113 Views

Added on

2022-05-10

Doi: https://doi.org/10.47060/jaaas.v2i2.85

Abstract

When in the early summer of 1805 Meriwether Lewis for the first time sights the great mountains of the American West, he merely reports "an august spectacle." The word "august" was not then an aesthetic category, nor did it usually describe visual contact with landscape. Categories used for these purposes were the picturesque and the sublime. Whereas there are numerous examples of the picturesque in the journals of the Lewis and Clark expedition, the sublime draws a blank. In my contribution, I will be offering several reasons for the absence of description in the sublime mode: (1) Like their contemporaries, Lewis and Clark held nature up to the yardstick of utility, calculating the agricultural potential of the land or the navigability of a river. (2) The Lewis and Clark expedition was a military expedition, sent out by President Jefferson not to stand in awe at sublime grandeur but to document a useful landscape. (3) Seeing mountains as sublime was essentially a matter of an individual imagination. The Corps of Discovery was a group, whose success depended on cooperation. Hence, the individual imagination must take a back seat. (4) The actual experience of hardship and adversity during the crossing of the Rockies would have obviated any description in the "grand style." (5) Finally, the Corps of Discovery was not even prepared to encounter the great mountains of the West, expecting instead gentle rolling hills that would enable an easy portage to the Columbia River and, if anything, call for picturesque description.

Key Questions

What is the main argument of the article?

The article argues that the journals of the Lewis and Clark expedition lack descriptions of the sublime, despite the grandeur of the American West. It offers several reasons for this absence, including the expedition's utilitarian focus, its military nature, the emphasis on group cooperation, the hardships faced, and the explorers' unpreparedness for the mountainous terrain.

Why does the article focus on the absence of the sublime in the Lewis and Clark journals?

The article focuses on this absence because the sublime was a prominent aesthetic category in the early 19th century, yet it is notably missing from the expedition's descriptions of the American West. This absence provides insight into the expedition's priorities and mindset.

What aesthetic categories were commonly used to describe landscapes at the time?

The two primary aesthetic categories were the picturesque and the sublime. The picturesque focused on charming, scenic views, while the sublime emphasized awe-inspiring, overwhelming natural grandeur.

How did the utilitarian focus of the expedition influence their descriptions of nature?

Lewis and Clark evaluated nature based on its utility, such as agricultural potential or river navigability. This practical approach left little room for aesthetic reflections like the sublime, which required a more imaginative and emotional engagement with the landscape.

Why did the military nature of the expedition discourage descriptions of the sublime?

As a military expedition commissioned by President Jefferson, the primary goal was to document and map the landscape for practical purposes, not to engage in aesthetic contemplation. The mission's focus on utility and documentation overshadowed the potential for sublime descriptions.

How did the group dynamic of the Corps of Discovery affect their descriptions?

The Corps of Discovery was a collaborative group, and its success depended on teamwork and shared goals. The individual imagination required to appreciate the sublime was secondary to the collective effort of exploration and survival.

What role did hardship play in the absence of sublime descriptions?

The physical and emotional challenges of crossing the Rocky Mountains made it difficult for the explorers to experience or describe the landscape in terms of the sublime. Their focus was on survival and overcoming adversity, not on aesthetic appreciation.

Why were Lewis and Clark unprepared for the mountainous terrain of the West?

The explorers expected gentle rolling hills that would allow for an easy portage to the Columbia River. The reality of the rugged, towering mountains was a surprise, and their unpreparedness further discouraged descriptions of the sublime.

What does the absence of the sublime reveal about the expedition's priorities?

The absence of the sublime highlights the expedition's focus on practical goals, such as mapping, resource assessment, and survival. It reflects a mindset oriented toward utility and documentation rather than aesthetic or philosophical reflection.

How does the article contribute to understanding the Lewis and Clark expedition?

The article provides a nuanced perspective on the expedition by examining the absence of the sublime in their journals. It sheds light on the explorers' priorities, challenges, and the cultural context of their mission, offering a deeper understanding of their experiences.

Summary Video Not Available

Review 0

Login

ARTICLE USAGE


Article usage: May-2022 to Jun-2025
Show by month Manuscript Video Summary
2025 June 99 99
2025 May 149 149
2025 April 84 84
2025 March 90 90
2025 February 77 77
2025 January 76 76
2024 December 65 65
2024 November 87 87
2024 October 67 67
2024 September 83 83
2024 August 59 59
2024 July 58 58
2024 June 48 48
2024 May 65 65
2024 April 77 77
2024 March 76 76
2024 February 50 50
2024 January 54 54
2023 December 49 49
2023 November 66 66
2023 October 35 35
2023 September 26 26
2023 August 17 17
2023 July 34 34
2023 June 26 26
2023 May 41 41
2023 April 42 42
2023 March 41 41
2023 February 2 2
2023 January 2 2
2022 December 20 20
2022 November 49 49
2022 October 32 32
2022 September 27 27
2022 August 55 55
2022 July 47 47
2022 June 96 96
2022 May 42 42
Total 2113 2113
Show by month Manuscript Video Summary
2025 June 99 99
2025 May 149 149
2025 April 84 84
2025 March 90 90
2025 February 77 77
2025 January 76 76
2024 December 65 65
2024 November 87 87
2024 October 67 67
2024 September 83 83
2024 August 59 59
2024 July 58 58
2024 June 48 48
2024 May 65 65
2024 April 77 77
2024 March 76 76
2024 February 50 50
2024 January 54 54
2023 December 49 49
2023 November 66 66
2023 October 35 35
2023 September 26 26
2023 August 17 17
2023 July 34 34
2023 June 26 26
2023 May 41 41
2023 April 42 42
2023 March 41 41
2023 February 2 2
2023 January 2 2
2022 December 20 20
2022 November 49 49
2022 October 32 32
2022 September 27 27
2022 August 55 55
2022 July 47 47
2022 June 96 96
2022 May 42 42
Total 2113 2113
Related Subjects
History
Music
Language
Philosophy
Classics
Art
copyright icon

© attribution CC-BY

  • 0

rating
2113 Views

Added on

2022-05-10

Doi: https://doi.org/10.47060/jaaas.v2i2.85

Related Subjects
History
Music
Language
Philosophy
Classics
Art

Follow Us

  • Xicon
  • Contact Us
  • Privacy Policy
  • Terms and Conditions

5 Braemore Court, London EN4 0AE, Telephone +442082758777

© Copyright 2025 All Rights Reserved.