Caroline Lillian Schopp
Caroline Lillian Schopp
Institution: unstated
Email: info@res00.com
Wolf Vostell is best known for the intermedial interactive events he staged on the streets of West Germany throughout the 1960s and 1970s. Berlin/100 Ereignisse (Berlin/100 events, 1965) exemplifies his work from the period, whichhe preferred to call ‘events’, ‘happenings’, ‘actions’, and ‘demonstrations’, thus blurring the boundary between art and life while affiliating artistic p...
Posted 3 years ago
"The Garden of Earthly Prosperity in Ground Zero" is a work of art by Isur Suroso. The painting reflects the story of the Sinom song in the text Babad Diponegoro. This fine art tells the story of Prince Diponegoro when he was raised by his great-grandmother in Tegalrejo Village, Yogyakarta. Tegalrejo Village has a simple community pattern. The beautiful natural environments in Tegalrejo Village ar...
Posted 3 years ago
Sir William Temple (1628–1699), the eminent English ambassador to the Dutch Republic and a widely read essayist,1 famously used the term ‘sharawadgi’ (beauty without an apparent order)2 to describe the layout of Chinese gardens in his essay ‘Upon the Gardens of Epicurus’:Among us, the Beauty of Building and Planting is placed chiefly, in some certain Proportions, Symmetries, or Uniformit...
Posted 3 years ago
Rakesh Netha Vadnala,
Rakesh Netha Vadnala
Institution: 1The Institute of Mathematical Sciences,
Email: rakeshnetha@imsc.res.in
Sridhar Hannenhalli,
Sridhar Hannenhalli
Institution: National Cancer Institute, National Institutes of Health,
Email: rakeshnetha@imsc.res.in
Leelavati Narlikar,
Leelavati Narlikar
Institution: Department of Data Science, Indian Institute of Science Education and Research,
Email: rakeshnetha@imsc.res.in
Rahul Siddharthan
Rahul Siddharthan
Institution: The Institute of Mathematical Sciences,
Email: rakeshnetha@imsc.res.in
Transcription factors (TFs) and their binding sites have evolved to interact cooperatively or competitively with each other. Here we examine in detail, across multiple cell lines, such cooperation or competition among TFs both in sequential and spatial proximity (using chromatin conformation capture assays) on one hand, and based on both in vivo binding as well as TF binding motifs on the other. W...
Posted 3 years ago
Paul Joseph Lennon
Paul Joseph Lennon
Institution: Department of Spanish, University of St Andrews,
Email: pjl7@st-andrews.ac.uk
The sonnet ‘Pues cabe tanto en vos del bien del cielo’ by Spanish Neapolitan poet Francisco de Aldana (1537-78) challenges interpretation through its genre-defying mix of consolatory, philosophic, and amatory elements; in particular, its inclusion of an enigmatic statement by a ventriloquized female figure alien to contemporary Hispanic courtly poetry. In this study, I offer an interpretation ...
Posted 3 years ago
Leif Runefelt
Leif Runefelt
Institution: Södertörn University 141 89 Huddinge Sweden
Email: leif.runefelt@sh.se
In the 1840s, Sweden and Finland were hit by a minor craze for living pictures or tableaux vivants as commercial entertainment. For the price of a ticket, the public could experience the staging, by live actors, of work of arts from antiquity and contemporary sculptors such as Canova and Thorvaldsen. Making strong claims of artistic value, based on the aesthetic theory of Winckelmann and the artis...
Posted 3 years ago
GEORGE WILLIAM CULLEN GROSS
GEORGE WILLIAM CULLEN GROSS
Institution: King’s College London
Email: info@res00.com
The last Scottish coronation occurred at Scone in 1651. Charles II’s Scottish coronation has either been completely forgotten or become the subject of distorted interpretations. It has long been suggested that this coronation was a hastily arranged affair, lacking sacredness without an anointing and involving little pomp, and thus minimal cost — almost humiliating, according
to one modern vie...
Posted 3 years ago
Peter Buse
Peter Buse
Institution: University of Liverpool
Email: info@res00.com
This article explores “the play element in photography”, to adapt a key phrase from Johan Huizinga’s Homo Ludens (1938). The context for this exploration is the melancholic paradigm that dominates much of contemporary writing and thinking about vernacular or popular photography, a paradigm that emphasises memory, death and mourning, at the expense of other practices and dispositions, not lea...
Posted 3 years ago
Richard Maxwell
Richard Maxwell
Institution: unstated
Email: info@res00.com
I take photos on my phone. I use the photos as an atmospheric reference to go back to. Impressed with the empty streets of Hell’s Kitchen, my home for the last twenty years, I started taking photos as I walked my dog. Hell’s Kitchen had recently been overrun by Times Square and luxury apartments. Here was a chance for me to come to terms with the place through an emptied-out landscape. Despite...
Posted 3 years ago
Maarten Steenhagen Shibukawa
Maarten Steenhagen Shibukawa
Institution: Uppsala Universitet:
Email: info@res00.com
Many people assume that fictional entities are encapsulated in the world of fiction. I show that this cannot be right. Some works of fiction tell us about pieces of poetry, music, or theatre written by fictional characters. Such creations are fictional creations, as I call them. Their authors do not exist. But that does not take away that we can perform, recite, or otherwise generate actual instan...
Posted 3 years ago