All Articles

Temple, Huygens and ‘sharawadgi’: tempering the passions to achieve tranquillity

Sir William Temple (1628–1699), the eminent English ambassador to the Dutch Republic and a widely read essayist,1 famously used the term ‘sharawadgi’ (beauty without an apparent order)2 to describe the layout of Chinese gardens in his essay ‘Upon the Gardens of Epicurus’:Among us, the Beau...
More

Posted 1 year ago

Interpretation of Natural Deconstruction Trough Pandemic Covid-19 Situation Based on “The Garden of Earthly Prosperity in Ground Zero”

"The Garden of Earthly Prosperity in Ground Zero" is a work of art by Isur Suroso. The painting reflects the story of the Sinom song in the text Babad Diponegoro. This fine art tells the story of Prince Diponegoro when he was raised by his great-grandmother in Tegalrejo Village, Yogyakarta. Tegalrej...
More

Posted 1 year ago

Does pre-infection stress increase the risk of long COVID? Longitudinal associations between adversity worries and experiences in the month prior to COVID-19 infection and the development of long COVID and specific long COVID symptoms

Long COVID is increasingly recognised as public health burden. Demographic and infection-related characteristics have been identified as risk factors, but less research has focused on psychosocial predictors such as stress immediately preceding the index infection. Research on whether stressors pred...
More

Posted 1 year ago

Delta/ Omicron and BA.1/BA.2 co-infections occurring in Immunocompromised hosts

Concomitant infection of multiple SARS-CoV-2 variants has become an increasing concern, as this scenario increases the likelihood of recombinant variants. Detecting co-infection of SARS-CoV-2 variants is difficult to detect by whole genome sequencing approaches, but genotyping methods facilitate det...
More

Posted 1 year ago

Concrete Violence – Wolf Vostell’s Disasters of War

Wolf Vostell is best known for the intermedial interactive events he staged on the streets of West Germany throughout the 1960s and 1970s. Berlin/100 Ereignisse (Berlin/100 events, 1965) exemplifies his work from the period, whichhe preferred to call ‘events’, ‘happenings’, ‘actions’, an...
More

Posted 1 year ago

Man in the Middle: Ingres’s Portrait of Louis-Franc¸ois Bertin at the Salon of 1833 and the Problem of the Juste Milieu

In a corner of room 60 on the second floor of the Louvre’s Sully Wing, Ingres’s Portrait of Louis-Franc¸ois Bertin hangs adjacent to his study for Angelica saved by Ruggiero (1819) (Fig. 1).1 In the absence of Ruggiero, Angelica seems to look over her right shoulder, not at the hippogriff-ridin...
More

Posted 1 year ago

Virtual connectedness in times of crisis: Chinese online art exhibitions during the COVID-19 pandemic

When Chinese museums had to close their doors due to the outbreak of COVID-19, several online art exhibitions were created that were able to still create a sense of connectedness among their audience members during the pandemic. This article details three online exhibitions – by Chronus Art Center...
More

Posted 1 year ago

IMAGES FOR INSTRUCTION: A MULTILINGUAL ILLUSTRATED DICTIONARY IN FIFTEENTH-CENTURY SULTANATE INDIA

When I began studying the Miftāḥ al-Fużalāʾ (Key of the Learned), Robert Skelton, the doyen of the art of the book in India, challenged me to imagine the many other manuscripts that would have been available to the artists who made this book. Attributed to the central Indian sultanate of Malwa...
More

Posted 1 year ago

CAMERA, CANVAS, AND QIBLA: LATE OTTOMAN MOBILITIES AND THE FATIH MOSQUE PAINTING

As with many cultures around the globe, in the nineteenth century the Ottoman empire witnessed a fluidity of media, styles, objects, technologies, and themes in visual culture. Sultans’ portraits migrated across canvases, ivory, manuscripts, photographs, prints, and porcelain; curtain motifs featu...
More

Posted 1 year ago

On Black Affective Forms: A Conversation with Garrett Bradley

-

Posted 1 year ago

Showing Page 10 to 14