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Traditionally, the sense of touch—alongside the senses of taste and smell—has been excluded from the aesthetic domain. These proximal modalities are thought to deliver only sensory pleasures, not the complex, world-directed perceptual states that characterize aesthetic experience. In this paper, I argue that this tradition fails to recognize the perceptual possibilities of haptic touch, which ...
3 years ago
The Public Poem is a form I invented in 1967 and have performed in many European cities over the decades. For the last six years in Spain, I had been making “concrete” poems, seeing the sheet of paper as a two-dimensional surface which the typewriter could occupy spatially, then placing Letraset letters on superimposed plexiglass sheets that provide a third dimension of depth. One day, looking...
3 years ago
Summary
Colonial Documentation through Photography
Møller's work played a crucial role in documenting the colonial relationship between Denmark and Greenland. His photographs served as a visual record of the interactions between Greenlandic Inuit and Danish administrators, providing a unique perspective on this historical period.
Significanc...
3 years ago
In both European and non-European cities, public spaces are formed by racist and segregative politics that influence everyday life. Planetary migration flows and recently implemented border politics tend to leave the most vulnerable in precarious conditions, not only in the case of migrants/refugees but also in the case of citizens. This article focuses on how artistic methodologies in the contex...
3 years ago
In the mind of anyone who knew them and their work, the British art critic and curator Guy Brett and the Filipino mixed-media and performance artist David Medalla formed a pair. Which is why, though it might sound awful, I was not overly surprised by the news that Guy had died (February 2, 2021) just over a month after David (December 28, 2020). It was as if the former had waited for permission to...
3 years ago