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Art

Register to submit your paper, and Start Earning from your Research Articles

Share Your Arts Research — Publish and Earn

The world of arts is where creativity, critique, and culture intersect. Whether you explore visual art, performance, design, or theory, your work deserves an audience beyond gallery walls or classroom discussions. Our multidisciplinary publishing platform offers an open space for artists, scholars, and critics to share original research, reflections, and essays — with the added bonus of monetization opportunities.

Why Publish Arts Articles with Us?

Art shapes how we understand human experience — from ancient crafts to modern digital installations. Traditional journals often limit the reach and pace of new ideas, but our non-peer-reviewed system lets you publish without delay. Whether you're analyzing art history, exploring contemporary visual culture, or writing about creative practices, your insights can connect with global readers, students, and fellow artists.

Express, Explore, and Influence

The arts are more than expression — they offer commentary on society, history, and identity. Whether you focus on fine art, multimedia, performance, or interdisciplinary collaboration, your work can help shape public dialogue and inspire new thought. Articles on artistic technique, aesthetics, criticism, and creative research are all welcome here.

Monetize Your Creativity

Publishing isn’t just about exposure — it’s about earning recognition and real value for your contributions. Our platform allows creators and scholars to monetize their content while sharing research and insights with an international audience. If you’re an artist, critic, or academic ready to share your perspective, we encourage your submission.

Join a community of creative thinkers, scholars, and practitioners — submit your arts research today and turn your passion for the arts into both impact and income.

Humanities and Arts

DARKROOM NETWORKS: Mundane subversiveness for photographic autonomy, 1880s-1900s


This article investigates the role of the darkroom in the experiences of British amateur photographers who, between the 1880s and 1900s, chose to process their negatives themselves while travelling. It focuses, in particular, on the reasons underpinning the development of a network of facilities for changing and developing plates available to tourists, and on how photographers’ engagement with t...
3 years ago

Humanities and Arts

Evaluating Degrees of “Softness” in Therapeutic Systems of Knitted Wearable Technology with Brain Injury Survivors

Laura J Salisbury

Laura J Salisbury

Royal College of Art and the Helen Hamlyn Centre for Design.

laura.salisbury@network.rca.ac.uk


Wearable energy harvesting methods have been increasingly researched over the past decade. Due to demands for finding suitable ways of powering wearable devices suited to garment contexts, yarn-based “components” gather increasing interest. However, the focus of textile properties of energy harvesting components often place emphasis on functional performance and limited elements concerning wea...
3 years ago

Humanities and Arts

Inheritance of Folk Art in College Art Design Education

Weiwei Wang

Weiwei Wang

Science and Technology College Gannan Normal University,

info@res00.com


Nowadays, art design majors are offered in all art colleges and universities in China, but the students and teachers of this major often do not have a deep understanding of art design, which hinders the folk art inheritance of Chinese art design students. This paper explains folk art and art design, analyzes its characteristics, puts forward the problems of folk art inheritance in China, and puts ...
3 years ago

Humanities and Arts

‘Papiers Voisins’, Stories of Entangled Documentations


The following pages are four out of the fifteen graphic pages ‘Papiers Voisins’, in my PhD thesis Reading in Performance, Lire en Spectacle: The solitude of reading merged with the collective nature of an audience (2021). Through my practices as a spectator, a participant of a performing arts works, a reader of performance documentation and a choreographer I collect visual elements that ...
3 years ago

Humanities and Arts

The Radical Avant-Garde and the Obsession for a New Beginning

ȘTEFAN GAIE

ȘTEFAN GAIE

niversity of Oradea, Romania, Department of Arts:

stgaie@yahoo.com


Rising in an extremely troubled context in the first decades of the 20th century, the so-called radical avant-garde (especially Futurism, Dadaism, Suprematism and Constructivism) obsessively pleaded for a “new beginning”, a real “restart” of art. Its discourse, both theoretical, of the avant-garde manifestos, and visual, aimed at giving alter...
3 years ago

Humanities and Arts

The Ethics and Aesthetics of Intertextual Writing: Cultural Appropriation and Minor Literature

Paul Haynes

Paul Haynes

School of Business and Management, Royal Holloway,

Paul.haynes@rhul.ac.uk


Cultural appropriation, as both concept and practice, is a hugely controversial issue. It is of particular importance to the arts because creativity is often found at the intersection of cultural boundaries. Much of the popular discourse on cultural appropriation focusses on the commercial use of indigenous or marginalized cultures by mainstream or dominant cultures. There is, however, growing awa...
3 years ago

Humanities and Arts

Between Zurich and Romania: A Dada Exchange


Why has the Jewish-Romanian identity of the Dadaists Tristan Tzara, Marcel Janco, and Arthur Segal been overlooked or critically unexamined in art historical discourse? Until recently, this significant and complicated identity warranted a brief mention in biographical and Dada studies, such as in those of Robert Motherwell (1951), George Hugnet (1971) Harry Seiwert (1996) and François Buot (2...
3 years ago

Humanities and Arts

Looking for Profundity (in All the Wrong Places)

Bence Nanay

Bence Nanay

Philosophy, University of Antwerp,

bence.nanay@uantwerpen.be


It does not happen very often that one short paper opens an entire new subfield of a philosophical discipline. But this is exactly what Peter Kivy’s 1990 paper “The Profundity of Music” achieved. In a couple of years after Kivy’s paper appeared, all philosophers of music, who previously, like Charles Swann in Marcel Proust’s novel (Proust (1913) 1992), would have found it difficult to ut...
3 years ago

Humanities and Arts

From Visions of Technological Progress to Technological Ruins: The Swedish Millennium Monument and the Challenges of Preservation of Digital Public Art

Anna Orrghen

Anna Orrghen

Department of History

info@res00.com


On December 20, 1999, the Swedish national monument, celebrating the turn of the millennium, was inaugurated by His Majesty King Carl XVI Gustaf (Fig. 1).1 The monument was a collaboration between artists, architects, and engineers, and it was erected on behalf of the Millennium Committee set up by the Swedish government. The commission to realize the monument was given to Chalmers University of ...
3 years ago

Humanities and Arts

How Museums Make Us Feel: Affective Niche Construction and the Museum of Non-Objective Painting

Jussi A. Saarinen

Jussi A. Saarinen

unstated

info@res00.com


Art museums are built to elicit a wide variety of feelings, emotions, and moods from their visitors. While these effects are primarily achieved through the artworks on display, museums commonly deploy numerous other affect-inducing resources as well, including architectural solutions, audio guides, lighting fixtures, and informational texts. Art museums can thus be regarded as spaces that are de...
3 years ago

Related Subjects

History Music Language Philosophy Classics

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